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At the center of that relationship is their deep, and now wordless, mutual trust. “In 20 years, I’ve never even shown her a sketch,” says Joy. “She’s always basically allowed me to make whatever I’ve wanted, which is pretty next-level. But that also means that I need to do my best to knock it out of the park each time, and that can feel pretty daunting.” “We do have this secret, sort of sacred way that we work together,” adds O, “but it’s kind of more like sadomasochistic torture—I’m either torturing her, or she’s torturing me.” She laughs wildly. “She’s tortured because she’s putting so much pressure on herself to make this thing and she probably hates my guts while she’s doing it, and I’m tortured because I’m seeing it for the first time right before I’m supposed to wear it onstage. But it always works out beautifully. I think sometimes the best relationships are the ones where you have that beautiful friction of never knowing what’s going to happen—that push and pull.”
Over the years, the starting point for O’s tour wardrobes has usually been a specific item O is keen to wear—for the It’s Blitz! tour, O requested a studded leather jacket, while for the shows supporting Mosquito, she asked to try out some tailoring—or a more enigmatic missive from O that reflects the spirit of the record. For Cool It Down, O went for the latter. “It was about feeling kind of tattered or torn,” she says. “I wanted it to feel really exuberant but also a little bit shredded up from everything we’ve been through.” With her typically off-kilter eye, Joy translated that idea into an Evel Knievel–esque cape patterned with a flaming red, sparkling sunburst—a nod to “Burning”—and a Bowie-inspired jumpsuit studded with crystals, with further tinsel fringing the flares. “I wanted the audience to have a feeling of her being an erupting volcano, exploding on the stage and sending her flashing hot rays into the audience,” says Joy.
For her Los Angeles date, however, O dipped her toe into new waters, enlisting the help of the Tokyo-based designer Yuima Nakazato to create a custom look inspired by an armor-like holographic bodysuit from his very first collection. “It’s the first time I’ve ever worked with him, but because with this record we’re kind of taking this bold step into a different place than we’ve ever been sonically, it just really lit up my imagination,” says O, who first discovered Nakazato’s work on Instagram. For Nakazato, designing for O felt like a full-circle moment. “It was interesting that Karen gave me an image from my debut collection as a reference—obviously it’s a very important collection for me, and it felt like fate that Karen was also paying attention to it,” he says, describing the final look as a blend of the “past and the future.”
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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